Famous Love Poems

See also: Famous Love Poets

Famous love poems by famous poets. These are the all-time best and most-Famous Love Poems from throughout history. Read and share some of these top famous love poems with your friends.


Love Is

Some people forget that love is
tucking you in and kissing you
"Good night"
no matter how young or old you are


Some people don't remember that
love is
listening and laughing and asking
questions
no matter what your age


Few recognize that love is
commitment, responsibility
no fun at all
unless


Love is
You and me 



Love and Friendship

 Love is like the wild rose-briar,
Friendship like the holly-tree --
The holly is dark when the rose-briar blooms
But which will bloom most contantly?
The wild-rose briar is sweet in the spring,
Its summer blossoms scent the air;
Yet wait till winter comes again
And who wil call the wild-briar fair?
Then scorn the silly rose-wreath now
And deck thee with the holly's sheen,
That when December blights thy brow
He may still leave thy garland green.


How Do I Love Thee?

How do I love thee? Let me count the ways.
I love thee to the depth and breadth and height My soul can reach, when feeling out of sight For the ends of Being and ideal Grace.
I love thee to the level of every day's Most quiet need, by sun and candlelight.
I love thee freely, as men strive for Right; I love thee purely, as they turn from Praise.
I love with a passion put to use In my old griefs, and with my childhood's faith.
I love thee with a love I seemed to lose With my lost saints, I love thee with the breath, Smiles, tears, of all my life! and, if God choose, I shall but love thee better after death.


I Do Not Love You Except Because I Love You

 I do not love you except because I love you;
I go from loving to not loving you,
From waiting to not waiting for you
My heart moves from cold to fire.
I love you only because it's you the one I love; I hate you deeply, and hating you Bend to you, and the measure of my changing love for you Is that I do not see you but love you blindly.
Maybe January light will consume My heart with its cruel Ray, stealing my key to true calm.
In this part of the story I am the one who Dies, the only one, and I will die of love because I love you, Because I love you, Love, in fire and blood.



Love

O Love! thou makest all things even 
In earth or heaven; 
Finding thy way through prison-bars 
Up to the stars; 
Or, true to the Almighty plan, 
That out of dust created man, 
Thou lookest in a grave,--to see 
Thine immortality! 


Love is more thicker than forget

Love is more thicker than forget
more thinner than recall
more seldom than a wave is wet
more frequent than to fail

It's most mad and moonly
and less it shall unbe
than all the sea which only
is deeper than the sea

Love is more always than to win
less never than alive
less bigger than the least begin
less litter than forgive

It's most sane and sunly
and more it cannot die
than all the sky which only
is higher than the sky


Morning (Love Sonnet XXVII)

 Naked you are simple as one of your hands;
Smooth, earthy, small, transparent, round.
You've moon-lines, apple pathways Naked you are slender as a naked grain of wheat.
Naked you are blue as a night in Cuba; You've vines and stars in your hair.
Naked you are spacious and yellow As summer in a golden church.
Naked you are tiny as one of your nails; Curved, subtle, rosy, till the day is born And you withdraw to the underground world.
As if down a long tunnel of clothing and of chores; Your clear light dims, gets dressed, drops its leaves, And becomes a naked hand again.


He took a few cups of love

He took a few cups of love.
He took one tablespoon of patience,
One teaspoon of generosity,
One pint of kindness.
He took one quart of laughter,
One pinch of concern.
And then, he mixed willingness with happiness.
He added lots of faith,
And he stirred it up well.
Then he spread it over a span of a lifetime,
And he served it to each and every deserving person he met.


Last Love

 The first flower of the spring is not so fair 
Or bright, as one the ripe midsummer brings.
The first faint note the forest warbler sings Is not as rich with feeling, or so rare As when, full master of his art, the air Drowns in the liquid sea of song he flings Like silver spray from beak, and breast, and wings.
The artist's earliest effort wrought with care, The bard's first ballad, written in his tears, Set by his later toil seems poor and tame.
And into nothing dwindles at the test.
So with the passions of maturer years Let those who will demand the first fond flame, Give me the heart's last love, for that is best.


To Be In Love

 To be in love 
Is to touch with a lighter hand.
In yourself you stretch, you are well.
You look at things Through his eyes.
A cardinal is red.
A sky is blue.
Suddenly you know he knows too.
He is not there but You know you are tasting together The winter, or a light spring weather.
His hand to take your hand is overmuch.
Too much to bear.
You cannot look in his eyes Because your pulse must not say What must not be said.
When he Shuts a door- Is not there_ Your arms are water.
And you are free With a ghastly freedom.
You are the beautiful half Of a golden hurt.
You remember and covet his mouth To touch, to whisper on.
Oh when to declare Is certain Death! Oh when to apprize Is to mesmerize, To see fall down, the Column of Gold, Into the commonest ash.


Love and Fame and Death

 it sits outside my window now
like and old woman going to market;
it sits and watches me,
it sweats nevously
through wire and fog and dog-bark
until suddenly
I slam the screen with a newspaper
like slapping at a fly
and you could hear the scream
over this plain city,
and then it left.
the way to end a poem like this is to become suddenly quiet.


Humanity i love you

Humanity i love you
because you would rather black the boots of
success than enquire whose soul dangles from his
watch-chain which would be embarrassing for both

parties and because you 
unflinchingly applaud all
songs containing the words country home and
mother when sung at the old howard

Humanity i love you because
when you're hard up you pawn your
intelligence to buy a drink and when
you're flush pride keeps 

you from the pawn shops and
because you are continually committing
nuisances but more
especially in your own house

Humanity i love you because you 
are perpetually putting the secret of
life in your pants and forgetting
it's there and sitting down

on it
and because you are 
forever making poems in the lap
of death Humanity

i hate you


Love

 What's wrong with you, with us, 
what's happening to us? 
Ah our love is a harsh cord 
that binds us wounding us 
and if we want 
to leave our wound, 
to separate, 
it makes a new knot for us and condemns us 
to drain our blood and burn together.
What's wrong with you? I look at you and I find nothing in you but two eyes like all eyes, a mouth lost among a thousand mouths that I have kissed, more beautiful, a body just like those that have slipped beneath my body without leaving any memory.
And how empty you went through the world like a wheat-colored jar without air, without sound, without substance! I vainly sought in you depth for my arms that dig, without cease, beneath the earth: beneath your skin, beneath your eyes, nothing, beneath your double breast scarcely raised a current of crystalline order that does not know why it flows singing.
Why, why, why, my love, why?


Love and Harmony

 Love and harmony combine,
And round our souls entwine
While thy branches mix with mine,
And our roots together join.
Joys upon our branches sit, Chirping loud and singing sweet; Like gentle streams beneath our feet Innocence and virtue meet.
Thou the golden fruit dost bear, I am clad in flowers fair; Thy sweet boughs perfume the air, And the turtle buildeth there.
There she sits and feeds her young, Sweet I hear her mournful song; And thy lovely leaves among, There is love, I hear his tongue.
There his charming nest doth lay, There he sleeps the night away; There he sports along the day, And doth among our branches play.


Love Sonnet XVII

 I do not love you as if you were a salt rose, or topaz
or the arrow of carnations the fire shoots off.
I love you as certain dark things are to be loved, in secret, between the shadow and the soul.
I love you as the plant that never blooms but carries in itself the light of hidden flowers; thanks to your love a certain solid fragrance, risen from the earth, lives darkly in my body.
I love you without knowing how, or when, or from where.
I love you straightforwardly, without complexities or pride; So I love you because I know no other way than this: where I does not exist, nor you, so close that your hand on my chest is my hand, so close that your eyes close as I fall asleep.


Love and the Gentle Heart

 Love and the gentle heart are one thing,
just as the poet says in his verse,
each from the other one as well divorced
as reason from the mind’s reasoning.
Nature craves love, and then creates love king, and makes the heart a palace where he’ll stay, perhaps a shorter or a longer day, breathing quietly, gently slumbering.
Then beauty in a virtuous woman’s face makes the eyes yearn, and strikes the heart, so that the eyes’ desire’s reborn again, and often, rooting there with longing, stays, Till love, at last, out of its dreaming starts.
Woman’s moved likewise by a virtuous man.


Self-Love

 He that cannot choose but love,
And strives against it still,
Never shall my fancy move,
For he loves 'gainst his will;
Nor he which is all his own,
And can at pleasure choose,
When I am caught he can be gone,
And when he list refuse.
Nor he that loves none but fair, For such by all are sought; Nor he that can for foul ones care, For his judgement then is nought; Nor he that hath wit, for he Will make me his jest or slave; Nor a fool, for when others.
.
.
, He can neither.
.
.
.
; Nor he that still his Mistress pays, For she is thralled therefore; Nor he that pays not, for he says Within She's worth no more.
Is there then no kind of men Whom I may freely prove? I will vent that humour then In mine own self-love.


All for Love

O TALK not to me of a name great in story; 
The days of our youth are the days of our glory; 
And the myrtle and ivy of sweet two-and-twenty 
Are worth all your laurels though ever so plenty.
What are garlands and crowns to the brow that is wrinkled? 5 'Tis but as a dead flower with May-dew besprinkled: Then away with all such from the head that is hoary¡ª What care I for the wreaths that can only give glory? O Fame! if I e'er took delight in thy praises 'Twas less for the sake of thy high-sounding phrases 10 Than to see the bright eyes of the dear one discover She thought that I was not unworthy to love her.
There chiefly I sought thee there only I found thee; Her glance was the best of the rays that surround thee; When it sparkled o'er aught that was bright in my story 15 I knew it was love and I felt it was glory.


Buried Love

 I have come to bury Love
 Beneath a tree,
In the forest tall and black
 Where none can see.
I shall put no flowers at his head, Nor stone at his feet, For the mouth I loved so much Was bittersweet.
I shall go no more to his grave, For the woods are cold.
I shall gather as much of joy As my hands can hold.
I shall stay all day in the sun Where the wide winds blow, -- But oh, I shall cry at night When none will know.


First Love

 At his incipient sun 
The ice of twenty winters broke, 
Crackling, in her eyes.
Her mirroring, still mind, That held the world (made double) calm, Went fluid, and it ran.
There was a stir of music, Mixed with flowers, in her blood; A swift impulsive balm From obscure roots; Gold bees of clinging light Swarmed in her brow.
Her throat is full of songs, She hums, she is sensible of wings Growing on her heart.
She is a tree in spring Trembling with the hope of leaves, Of which the leaves are tongues.


Juke Box Love Song

 I could take the Harlem night
and wrap around you,
Take the neon lights and make a crown,
Take the Lenox Avenue busses,
Taxis, subways,
And for your love song tone their rumble down.
Take Harlem's heartbeat, Make a drumbeat, Put it on a record, let it whirl, And while we listen to it play, Dance with you till day-- Dance with you, my sweet brown Harlem girl.


Sex Without Love

 How do they do it, the ones who make love
without love? Beautiful as dancers,
gliding over each other like ice-skaters
over the ice, fingers hooked
inside each other's bodies, faces
red as steak, wine, wet as the
children at birth whose mothers are going to
give them away.
How do they come to the come to the come to the God come to the still waters, and not love the one who came there with them, light rising slowly as steam off their joined skin? These are the true religious, the purists, the pros, the ones who will not accept a false Messiah, love the priest instead of the God.
They do not mistake the lover for their own pleasure, they are like great runners: they know they are alone with the road surface, the cold, the wind, the fit of their shoes, their over-all cardio- vascular health--just factors, like the partner in the bed, and not the truth, which is the single body alone in the universe against its own best time.


Confined Love

 Some man unworthy to be possessor
Of old or new love, himself being false or weak,
Thought his pain and shame would be lesser
If on womankind he might his anger wreak,
And thence a law did grow,
One might but one man know;
But are other creatures so?

Are Sun, Moon, or Stars by law forbidden
To smile where they list, or lend away their light?
Are birds divorced, or are they chidden
If they leave their mate, or lie abroad a-night?
Beasts do no jointures lose
Though they new lovers choose,
But we are made worse than those.
Who e'er rigged fair ship to lie in harbours And not to seek new lands, or not to deal withal? Or built fair houses, set trees, and arbors, Only to lock up, or else to let them fall? Good is not good unless A thousand it possess, But dost waste with greediness.


Ballad of women i love

 Prudence Mears hath an old blue plate
Hid away in an oaken chest,
And a Franklin platter of ancient date
Beareth Amandy Baker's crest;
What times soever I've been their guest,
Says I to myself in an undertone:
"Of womenfolk, it must be confessed,
These do I love, and these alone.
" Well, again, in the Nutmeg State, Dorothy Pratt is richly blest With a relic of art and a land effete-- A pitcher of glass that's cut, not pressed.
And a Washington teapot is possessed Down in Pelham by Marthy Stone-- Think ye now that I say in jest "These do I love, and these alone?" Were Hepsy Higgins inclined to mate, Or Dorcas Eastman prone to invest In Cupid's bonds, they could find their fate In the bootless bard of Crockery Quest.
For they've heaps of trumpery--so have the rest Of those spinsters whose ware I'd like to own; You can see why I say with such certain zest, "These do I love, and these alone.
"


XVII (I do not love you...)

 I do not love you as if you were salt-rose, or topaz,
or the arrow of carnations the fire shoots off.
I love you as certain dark things are to be loved, in secret, between the shadow and the soul.
I love you as the plant that never blooms but carries in itself the light of hidden flowers; thanks to your love a certain solid fragrance, risen from the earth, lives darkly in my body.
I love you without knowing how, or when, or from where.
I love you straightforwardly, without complexities or pride; so I love you because I know no other way than this: where I does not exist, nor you, so close that your hand on my chest is my hand, so close that your eyes close as I fall asleep.